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Hip Yet Prospering. Can Jersey City Do It?
JERSEY CITY
"We're going to have to find a new place," the man in the
cap, Alex Saavedra, bellowed glumly to a visitor at Uncle
Joe's, a tiny bar nestled among the warehouses downtown
here. "They're turning Wednesdays into House Night."
Mr. Saavedra the 27-year old founder of Eyeball Records,
based in Kearny was not even sure what house music is.
But he was sure it would be an excellent way to kill off
what had taken hold in the unlikely place that had become a
hangout for him and dozens of other tattooed, pierced young
people who want to hear tomorrow's music today.
For a year and a half, Uncle Joe's has been at the center
of a much larger phenomenon: Jersey City has become
unmistakably hip..
"It's been kind of amazing to watch, to see this
transformation," said Ralph Cuseglio, 27, who attended high
school here and is now the lead singer of Rye Coalition, a
well-known local band.
The evidence is everywhere. In a short time, Uncle Joe's
has transformed itself from a run-down gay bar on First
Street to a live-music venue for up-and-coming bands the
only one of its kind in this city of about 240,000, long a
haven for blue-collar workers and immigrants.
On Grove Street, across from City Hall, a storefront that
was boarded up for years is now a cafe that sells Belgian
beer for $12 a bottle. A renovated dive on Newark Avenue is
a lounge bar that since September has been selling beer in
fluted glasses and attracting a diverse crowd. Farther
west, on Fourth Street, where youths once chucked rocks at
newcomers, there is a tiny French restaurant called Madame
Claude that since October has featured escargot ($8.50) and
crème brûléee ($5). Business is humming.
More change is on the way. A pricey bakery is opening not
far from the French restaurant. And in an even more
inescapable sign of what is to come, a Starbucks may be
headed for Erie Street.
What is even more remarkable is that this evolution has
occurred during a decidedly rough patch for towns along the
Hudson River. All along the waterfront in Jersey City, jobs
have disappeared. The city's unemployment rate stands at
8.8 percent, compared with 5.5 percent statewide. Vacancy
rates for office buildings have soared to 17.5 percent, up
from around 10 percent in 1999.
About 6,000 employees of the investment bank Goldman Sachs
were to move into a 781-foot tower the tallest building
in the state by June 2004, but those plans have been
significantly scaled back. Plans to build a university,
hotel and convention center at the site have all been
shelved for now, and far fewer than 5,000 employees will be
moving in next year, says a senior official at Goldman who
requested anonymity.
Ground was to be broken by the end of the year for the
second-tallest building in the state at 665 feet at 99
Hudson Street. But Merrill Lynch, which was going to occupy
it, has shelved the plans indefinitely; it is still a
parking lot.
Not a single office project has broken ground since Sept.
11, 2001.
Building Is at Standstill
With war raging in Iraq and concerns about terrorism, the
situation will probably get worse before it gets better,
said Carl Eriksen, the senior managing director of
Insignia/ESG, a real estate brokerage firm. Others say
Governor McGreevey has made things worse with his threat to
eliminate a state program that has lured businesses from
New York.
When asked if anyone had plans to break ground on a new
project, Dan Frohwirth, the director of real estate and
marketing for the Jersey City Economic Development
Corporation, put it this way, "You'd have to be out of your
mind."
But bad news for some is good news for others. With less
demand, apartment rentals are cheaper than they have been
for years, real estate agents say. And with Manhattan
prices astronomical and housing costs in Hoboken also high,
Jersey City is an affordable alternative.
For years artists, musicians and immigrants have called the
waterfront section of downtown Jersey City home. In the
1980's, luxury apartment towers started rising on abandoned
railroad yards in Newport, and in the 90's the site of the
former Colgate-Palmolive factory gave way to offices.
Indeed, the waterfront in Jersey City has for years
welcomed a steady stream of young professionals. Yet there
was little reason to explore west of Washington Boulevard,
a de facto Berlin Wall.
That is changing, however, and downtown neighborhoods like
Van Vorst Park, Hamilton Park, Paulus Hook and even the far
western stretch of Newark Avenue underneath the New Jersey
Turnpike have been drawing bargain bunters from Manhattan
and Brooklyn. Older professionals have bought brownstones
and are raising their children here.
Many of the young, artsy and educated have become
protective of their newfound turf. "We don't want to make
it sound too great because everyone will want to move
here," said Pam St. Jean, a 30-year-old massage therapist
from Providence, R.I.
She extolled Jersey City's virtues while relaxing at
Ground, a coffee shop on Jersey Avenue that features
photography and light installations by local artists.
"I think hipsters look for the void," said Robert Lanham,
32, a Brooklyn resident who wrote "The Hipster Handbook"
(Anchor Books, $9.95), published last month. Even though
his car was booted on his first visit there, he thinks
Jersey City has potential now that Williamsburg has nearly
reached hipness senescence. But he has this warning about
hipsters: "They look for the place that's undiscovered. And
they take it over like the plague, so watch out."
They have taken over Wednesday nights at Uncle Joe's, a
place that even the owner considers "dangerously inviting."
It was inviting enough for Carl Severson, who has lived in
Jersey City for four years and is the founder of Ferret
Music, a punk rock label that he operates out of his
apartment. A few months ago, Mr. Severson, 27, decided that
the arts intelligentsia needed a salon night one in which
local musicians, record label owners, promoters and other
hangers-on could meet, drink and network. He has made
overtures to his New York friends, noting the quick train
ride and the impending smoking ban in the city.
"I want this to be like 'Cheers,' " he said. Last fall, The
New York Press labeled the bar "Best New York Club in New
Jersey."
Friday and Saturday is when rising stars play here, like
the band Rye Coalition, a hometown group that was once
banned for more than a year from Maxwell's, the venerable
Hoboken club (the band enraged the owner when its last song
became a 20-minute rendition of Led Zeppelin's "Moby
Dick"). Monday is open mike night. And on Wednesday, jazz,
disc jockeys or some hybrid groups play. The performance
space is ridiculously small, the sound system is so-so, and
the presence of 15 people makes it feel jammed.
On a recent Wednesday night, about 60 people packed the
bar. A jazz fusion fivesome was noodling aimlessly in the
back room, and the conversations among the gathered were
just as aimless. The big news was that My Chemical Romance,
an up-and-coming band, has signed with a new management
team.
Mr. Saavedra, the owner of Eyeball Records, took several
calls on his cellphone, and talked excitedly first about
his band, and later about his hometown.
"It was a dump," he said of Jersey City. "I never thought
I'd be back here."
Mr. Saavedra grew up in Jersey City, and he recalls that
there was absolutely nothing to do when he was a youth, so
he would often slip into Manhattan, hang out in Washington
Square Park with the punks and skateboarders, or sneak into
CBGB, the legendary rock club. These days he lives and
works in neighboring Kearny and rarely wanders into New
York City. Instead, he comes to Jersey City.
This is not to say that fashionably dressed youngsters are
roaming the streets here in packs. On most nights and even
weekends, Newark Avenue, which runs through the heart of
downtown, is desolate. Trash flutters through the street,
and gates shutter the gantlet of 99-cent stores.
'Raggedy on the Outside'
The city's leaders recognized this problem and in 1999
designated the heart of downtown made up of parts of
Newark Avenue, Grove Street, Jersey Avenue and Christopher
Columbus Drive "restaurant row." Though a new zoning law
made it easier to get a liquor license, other restrictions
have appeared to stymie development.
A bar or restaurant on the row must stop serving liquor at
11 p.m. during the week and midnight on weekends, yet
places outside the zone can serve alcohol until 2 a.m. on
weeknights and 3 a.m. on weekends.
City leaders said they agreed to the restrictions in part
because residents convinced council members that later
hours would encourage a wild bar atmosphere in residential
areas. They seem to have got their wish. In the three and a
half years since the laws were adopted, only a handful
restaurants have opened in the zone.
"We're supposed to row restaurants in," Domenic Santana,
owner of the Hard Grove Cafe near the Grove Street PATH
station, told The Jersey City Reporter in 2000, "and
instead they're rowing out."
The funky spots have flourished just outside the zone -
around Grove Street near City Hall, around Brunswick Avenue
near the turnpike overpass, and near Hamilton Park, on the
northern edge of downtown.
One of the first of the new breed in the area was Marco and
Pepe named for the owners' dogs.
"Our friends said, 'You're crazy, the neighborhood can't
support a place like that yet,' " said Beverly Gonzalez,
who nevertheless opened the cafe in 2001 with her husband,
Ralph.
Theirs is the place that sells the expensive imported beer,
and in the last six months started a limited menu, with a
chef who once toiled at the Manhattan restaurants Bouley
and Danube.
This strip of Grove Street is also home to the slightly
swanky Merchant Bar, an bakery called Holidays and, on
nearby Mercer Street a place called Ria's Cafe. In the home
of the former Cooper Gallery, a sign announces, "Coming
Soon: Family Bistro."
None of this existed two years ago.
There are many
reasons for the success of Jersey City, according to James
W. Hughes, dean of the Edward J. Bloustein School of
Planning and Public Policy at Rutgers University: Spillover
from Manhattan, good housing stock and, more recently, a
downturn in the economy that might be prompting people to
stay closer to home.
Consider Mark Dalzell . When he was working toward a music
degree at the University of Delaware in 1999, Mr. Dalzell
decided to move to New York, though he was quickly
discouraged by the high cost. Instead, he settled in Jersey
City, where he found a three-bedroom apartment for $1,500 a
month in Hamilton Park, a neighborhood of walk-ups and
brownstones.
"Hamilton Park," he said, "is very Upper West Side-ish."
Not too long ago, he and his girlfriend moved into the top
two floors of a brownstone, and though he says he is
overpaying at $1,900, he is happy with it. When not
rebuilding and repairing violins and guitars in his
apartment, he would be making forays into Hoboken to buy
strings. But he said he grew weary of trying to find
parking, and thought of starting his own store.
Metropolis Music opened in November 2002, and even Mr.
Dalzell has been surprised at the response. He sells much
of his equipment to locals who often end up playing at
Uncle Joe's and schoolchildren who never had any other
place to go. He gives lessons to about 40 students.
"In my neighborhood," he said, "practically every person
plays a musical instrument."
His store sits on the scruffy western edge of Newark
Avenue, but he has seen the changes even in his short time
here. "Definitely, new businesses have been popping up like
crazy," he said.
As he spoke, one of his teachers, Tom Condon, emerged from
a back room, grabbed a guitar and impatiently picked at
strings while waiting for his next student. Mr. Condon is a
recent Manhattan refugee who came Jersey City last fall to
save money. Soon afterward, he lost his job at a publishing
house and has been scraping by teaching guitar and working
at Ground.
"I lived in the East Village for six years," he said, "and
I knew six people." In the four months he has lived here,
he said, he has met 10 or 15 people. "It's more of a
community," he said. "It's a bit smaller."
Brooklynites Look West
A smaller community, but growing,
according to real estate agents.
As Phil Rivo, a sales agent at Armagno Agency in Jersey
City, put it, "The Brooklyn people are coming" from
neighborhoods like Carroll Gardens, Williamsburg, Fort
Greene.
At the playground near his house, he noted, "there's a
fight for the swings."
For Lawrence Perlaski, a broker for Joseph A. Del Forno
Inc., the economic downturn has meant lower prices.
"The rental market has taken a hit," Mr. Perlaski said.
Three years ago, he explained, a one-bedroom cost $1,200 to
$1,600, but now these are the prices for a two-bedroom
place.
"If you take a ride around," he said, "and the amount of
dark windows that you see at 7, 8 at night, those are
obviously empty apartments. And there's a surprisingly high
amount of vacancies in Hoboken."
However, Mr. Perlaski and Mr. Rivo both said that sales of
single homes and condominiums had been strong because of
low interest rates, though not as robust as in previous
months. An average brownstone that sold for $300,000 in the
late 1990's now costs about $500,000. Condominium prices
have risen about 20 percent in the last year. That said,
prices are 20 to 40 percent lower than in Manhattan.
"We might not have the amenities that a Brooklyn has with a
bistro on every corner," said Mr. Rivo, though he went on
to say that if a person had not been to Jersey City in
three years, he would notice a marked change.
It is that change that worries some here.
"I think it's
riding the fence right now," said Ms. St. Jean, the massage
therapist. "It could get gentrified."
To Jaime Vazquez, gentrification is already well under way.
As the director of veterans affairs for the city, Mr.
Vazquez, 53, earns $40,000 a year. He plans to marry in May
and will need a bigger place for his new wife and her
11-year-old daughter, at least bigger than the two-room
$600-a-month apartment on Fifth Street where has lived
since 1991. So far, he has had trouble finding a
two-bedroom apartment for less than $1,500 a month, his
limit, and he is hesitant to move from the neighborhood he
has called home since 1959.
"It's kind of ironic," said Mr. Vazquez, who was councilman
for the downtown ward from 1985 to 1997. "Once being an
elected official in that district, I now almost can't
afford to live there."
The neighborhood was long a stronghold of Hispanic,
Filipino and Polish immigrants, but figures from the 2000
Census show it has changed quite a bit in the last decade.
The number of Hispanics downtown declined in the 1990's -
from 10,952 to 9,801, while the number of non-Hispanic
whites rose -to 13,005 from 11,688. In the same period, the
Hispanic population of rose 18 percent, while the
non-Hispanic white population shrank 32 percent.
"The transformation of Jersey City is not a 10-year story,"
said Jeff Kaplowitz, director of commercial development for
Plaza 21st Century and a former chairman of the city's
planning board, "It really is based upon a 25-year story."
Along Came LeFrak
By the late 1970's, the network of
railroads that were once the city's lifeblood had gone and
manufacturing had started to die. In the early 80's, a
developer from Queens, Samuel LeFrak, began building
high-rise apartments on the site of the former railroad
yards, and people thought he was misguided. Now, the entire
section known as Newport has a mall, the offices of
insurance and brokerage companies, two hotels and a forest
of high-rise buildings.
Despite the good news, there is a tenuous nature to much of
Jersey City's nightlife. For instance, the "house night"
rumors that spread like wildfire at Uncle Joe's are not
entirely off the mark. John Chiodi, the club's owner, has
talked about bringing in a more "mainstream" crowd.
"I'd like to showcase live new music and mix in a little
more mainstream music so the two crowds can intermingle a
little bit," he said, explaining that he wants to do more
than break even.
At Ground, the phone has long been disconnected, though it
is still open. At Side by Side, which reopened last
September as a lounge with blood-red walls, an
inexperienced disc jockey blew out the club's sound system,
and the bar had to limp along for some time on a personal
stereo.
Even worse, many artists fear that their main stronghold, a
former tobacco warehouse on 111 First Street, may soon
disappear. Lawrence P. Wolf, a lawyer who represents the
landlord for the building, New Gold Equities of Manhattan,
said plans were in the works to gut much of the interior
and convert the warehouse into a "mixed use" project
rental apartments with minimal artist occupation.
"This area looks like a disgusting graveyard of buildings,"
Mr. Wolf said. "It's an eyesore."
Ron English, a 43-year-old painter who for a decade lived
in Manhattan and now occupies a studio there, often refers
to Jersey City as "Mississippi on the Hudson" so close,
yet so far from the Big City though he believes there is
tremendous potential.
Farther west, in the Journal Square area long viewed as
the next major target of revitalization the first new
apartment project in 20 years won council approval in
February, and a 3,000-thousand-seat movie theater, Loew's
Jersey, is under renovation.
Despite the short-term dreariness of the New York economy,
Mr. Hughes of Rutgers said that Jersey City would continue
to grow.
"It obviously depends on the health of the regional
economy," he said. "Lower Manhattan is enormously weak."
But he said there was a growing number of those 25 to 34
who could fill the rental market. "As that critical mass
grows, Jersey City becomes an even more favored location,"
he said, though he cautioned that it was "not a slam dunk."
Originally appeared in the New York Times on March 30, 2003
By JONATHAN MILLER
THE man in the black knit cap wanted to break the bad news,
but first he had to out-shout the guy on the saxophone.
"Until you live here for a good
period of time, it looks really raggedy on the outside,"
said Beverly Gonzalez, a co-owner of Marco and Pepe, a cafe
on Grove Street. "When we first moved here, I was really,
really afraid. Downtown was sort of dangerous."
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